By Craig Werner
". . . terribly far-reaching. . . . hugely accessible."
-Notes
"No one has written this fashion approximately tune in a protracted, very long time. Lucid, insightful, with genuine non secular, political, highbrow, and emotional snatch of the total photo. A publication approximately why track issues, and the way, and to whom."
-Dave Marsh, writer of Louie, Louie and Born to Run: The Bruce Springsteen Story
"This publication is urgently wanted: a entire examine many of the varieties of black well known tune, either as tune and as visible in a bigger social context. not anyone can do that higher than Craig Werner."
-Henry Louis Gates, Jr., W.E.B. Du Bois Professor of the arts, Harvard University
"[Werner has] mastered the super tricky paintings of writing approximately song as either a cultured and social strength that conveys, implies, symbolizes, and represents rules in addition to emotion, yet with out decreasing its complexities and ambiguities to in simple terms didactic categories."
-African American Review
A switch Is Gonna Come is the tale of greater than 4 a long time of vastly influential black song, from the hopeful, indignant refrains of the liberty move, to the slick pop of Motown; from the disco inferno to the Million guy March; from Woodstock's "Summer of Love" to the warfare in Vietnam and the race riots that encouraged Marvin Gaye to jot down "What's Going On."
Originally released in 1998, A switch Is Gonna Come drew the eye of students and common readers alike. This new version, that includes 4 new and up-to-date chapters, will reintroduce Werner's seminal learn of black track to a brand new new release of readers.
Craig Werner is Professor of Afro-American reports on the collage of Wisconsin, and writer of many books, together with Playing the alterations: From Afro-Modernism to the Jazz Impulse and Up round the Bend: An Oral historical past of Creedence Clearwater Revival. His most up-to-date booklet is Higher floor: Stevie ask yourself, Aretha Franklin, Curtis Mayfield, and the increase and Fall of yankee Soul.
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Additional resources for A Change Is Gonna Come: Music, Race & the Soul of America
Example text
There is a large literature about music written in Arabic and by Mohammedan scholars, but it all belongs to the medizeval period and reflects ideas from sources not at all Arabian. This literature is particularly valuable for the light it gives upon the growth of musical theory; it is also notable for acute discussions of the psvchical effects of music (see sec. 36). f. FIG. 23. FIG. 25. FIG. 23. - Arab Kemangehs, Kanoon or Zither. FIG. - Arab Kissars or Lyres. FIG. - Arab § 13 MOHAMMEDAN MUSIC 43 As commonly stated, the scale in characteristically Molrammedan lands involves a primary division of the octave into seven steps, derived from a theoretical division into seventeen, each equal to about one-third of a whole step.
41 Chinese and Siamese Ranats. 13. The Mohammedans. - The music associated with Arabic culture and with Mohammedanism is more widely spread than any other of its class. Yet it is a highly composite type for this very reason. It is doubtful whether there is any real Arabian music, that is, music peculiar to Arabia itself. But in connection with the stupendous extension of Mohammedanism (from the 8th century) along the Mediterranean to the Atlantic, as well as into southern Asia and central Africa, music has often been prominent, Hence types of music called Arabic appear among the Saracens and Moors of the Middle Ages, in modern Egypt and Turkey, and elsewhere.
Such combinations, however, are rare arid do not show any real system. 28 PRIMITIV E MUSIC §7 FIG. 5. FIG. I. - Alaskan Stone Flute - design like a totem-pole. FIG. 2. - Arab Pants-Pipes or Syrinx. FIG. 3. - African Zanzes - iron or bamboo tongues mounted on a resonance-: box, played by twanging. FIG. 4. , one (Thibetan) made of a skull cut in two. FIG. 5. - African Marimba . or Xylophone. §8 PRIMITIVE. INSTRUMENTS 8. Instruments. - This branch of the topic is made specially clear and interesting by the existence of many actual specimens in alllarge ethnological museums, Yet a systematic-summary of the facts in any brief form is impossible, since the details vary indefinitely.
