By Dagmar C. G. Lorenz
Searchable PDF, with cover
The Bulgarian-born student and writer Elias Canetti (1905-1994) was once some of the most astute witnesses and analysts of the mass pursuits and wars of the 1st half the 20 th century. Born a Sephardic Jew and raised within the Bulgarian and Ladino languages, he selected to jot down in German, opting for as he did with eu literary and highbrow traditions. He used to be offered the 1981 Nobel Prize in Literature for his oeuvre, together with dramas, essays, diaries, aphorisms, the unconventional Die Blendung (Auto-da-Fé), a three-volume autobiography, and the broad interdisciplinary treatise Masse und Macht (Crowds and Power). those writings, so much significantly Masse und Macht, exhibit Canetti's thought-provoking rules on tradition and the human psyche with distinct specialise in the phenomena of strength, clash, and survival. Canetti's masterful prose, his linguistic thoughts, his extraordinary satires and conceits proceed to fascinate students and normal readers alike, and his intellectually tough, genre-bending writings merge conception and literature, essay and diary access. His philosophical and anthropological works are profoundly motivated by way of literature, whereas his literary texts are proficient by means of his idea. The significant other to the Works of Elias Canetti comprises unique essays by means of popular foreign students operating on the leading edge of Canetti feedback. They research the writings of this awesome author and philosopher within the context of pre- and post-fascist Europe, offering a finished scholarly creation to Canetti. The essays contain exact interpretations of person texts in addition to entire thematic and theoretical stories dedicated to Canetti's paintings as a part of the Western philosophical and significant tradition.
Table of Contents
Canetti’s central Works
Abbreviations of Works often brought up
Introduction - Dagmar C. G. Lorenz
William Collins Donahue - goodbye to All That: Elias Canetti’s Obituaries
Anne Fuchs - “The Deeper Nature of My German”: mom Tongue, Subjectivity, and the Voice of the opposite in Elias Canetti’s Autobiography
Hans Reiss - Elias Canetti’s perspective to Writers and Writings
Julian Preece - Canetti and the query of style
Wolfgang Mieder - “The Faultiest Expressions Have the best Attraction”: Elias Canetti’s Proverbial Aphorisms
Sigurd Paul Scheichl - Canetti’s Aufzeichnungen
Helga Kraft - Staging a Critique of Modernism: Elias Canetti’s Plays
Harriet Murphy - “Gute Reisende sind herzlos”: Canetti in Marrakesh
Irene Stocksieker Di Maio - area in Elias Canetti’s Autobiographical Trilogy
Ritchie Robertson - Canetti and Nietzsche: An advent to Masse und Macht
Johannes G. Pankau - photographs of female and male in Canetti’s Fictional, Autobiographical, and Theoretical paintings
Dagmar C. G. Lorenz - Canetti’s ultimate Frontier: The Animal
Svoboda Alexandra Dimitrova and Penka Angelova - Canetti, Roustchouk, and Bulgaria: The influence of beginning on Canetti’s paintings
Michael Mack - Elias Canetti’s reaction to the Shoah: Masse und Macht
Works brought up 313
Notes at the members 333
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Extra resources for A Companion to the Works of Elias Canetti (Studies in German Literature Linguistics and Culture)
Paul Michael Lützeler (Frankfurt: Suhrkamp, 1995). 16 Elias Canetti, Das Augenspiel. Lebensgeschichte 1931–37 (Munich: Hanser, 1985), 160. Cited as A. INTRODUCTION 17 E 21 Before his death in 1994, Canetti edited Veza Canetti’s novel Die gelbe Straße (Munich: Hanser, 1989), which had first been published in 1933/34 in the Vienna Arbeiter-Zeitung, her drama Der Oger (Munich: Hanser, 1990), and her collected short prose under the title Geduld bringt Rosen (Munich: Hanser, 1991). The title story had been included in Wieland Herzfelde’s anthology Junge deutsche Autoren (Berlin: Malik, 1932).
Then, too, there was Canetti’s wrath with which we might have had to contend. As Erich Fried relates in Ein Dichter gegen Macht und Tod, the German television documentary made in the wake of Canetti’s receipt of the Nobel Prize, Canetti could be harsh and voluble with those who dared to criticize — or as Canetti deemed it, to “misunderstand” — his work. ”23 But no longer. Dagmar Barnouw, as is well known, provided the first comprehensive treatment of Canetti’s oeuvre, the immensely useful 1979 24 Metzler handbook.
12 Though he accepted the status of honorary citizen of Vienna in 1986, Canetti steadfastly refused all attempts to repatriate him, retaining the British passport he received as a refugee from fascist Austria. Chancellor Vranitzky remarked candidly on this, but still found reason to celebrate Canetti’s important 13 connection to Austria. ” Like numerous other obituarists, Vice Chancellor Busek fêted Canetti as the last representative of the brilliant Viennese modernist movement, the “Wiener Moderne,” taking his cue perhaps from Canetti himself, who remarked at the Nobel ceremony that he accepted the honor on behalf of those great Austrian 15 writers, such as Kraus, Broch, and Musil, who never received it.
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