Download Atlas fotografico de anatomia del cuerpo humano -3 Edicion by Chihiro Yokochi, Johannes Rohen, Eva Lurie Weinreb PDF

By Chihiro Yokochi, Johannes Rohen, Eva Lurie Weinreb

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Extra info for Atlas fotografico de anatomia del cuerpo humano -3 Edicion Spanish

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Use a Prussian blue and cadmium yellow mix for the foreground vines, and add burnt sienna highlights. 8 Using a flat brush, apply a mix of Prussian blue and cadmium yellow in horizontal strokes to create the vines on the left and right of the picture. Add detail to the vines using a cadmium yellow wash, pushing the pigment away. directing the flow Don’t be afraid to take the paper in hand and turn it around in various different directions if the paint is flowing where you don’t want it to go. 9 Create the line of trees on the horizon with a green mix of Prussian blue and cadmium yellow.

Use a grey-brown burnt sienna and French ultramarine mix for the beach in the foreground. 5mm (1/2in) brush for the cross-bracing. Add shadows to the side of the concrete pillars by the arch with French ultramarine using the No. 5 brush. 13 12 Paint some pure cadmium red around the inner arch of the bridge. Lift out some lines of paint from the sky with the 25mm (1in) brush to render the cables. 14 Make a mix of Windsor violet and cobalt blue to paint the base of the mountains on the left-hand side.

Mix cadmium orange and sap green for the darker foliage on the left, working wet-in-wet, and add cadmium yellow. Add detail to the buildings with cadmium yellow, and use pure cadmium red for the houses. perspective effect By using stronger colours in the foreground and more muted colours in the distance, it is possible to create the impression of perspective. In this painting, the effect is like that of the inside of a drum, or barrel, with the top and bottom of the work comprising the elements that are closest to the viewer, and the horizon line, in the centre of the painting, the part that seems farthest away.

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