By Katrin Kogman-Appel, Mati Meyer
The 19 essays assembled during this Festschrift symbolize the multiplicity of pursuits obvious in Elisabeth (Elisheva) Revel-Neher's paintings. They disguise quite a few topics facing pictorial messages encrypted in a variety of inventive media, and handle a extensive array of subject matters: Jewish id within the overdue old interval; patronage in past due vintage Jewish and Christian spiritual structure; Jewish-Christian polemics and the illustration of the 'Other'; the query of Jewish or Christian illuminators of Hebrew books; the cultural history of illustrations in Hebrew manuscripts; Christian cosmology and dogma; the imagery of the Temple within the chapters; and, Jewish and Christian perceptions of women.The participants are Rivka Ben-Sasson, Walter Cahn, Evelyn Cohen, Andreina Contessa, Eva Frojmovic, Lihi Habas, Dalia-Ruth Halperin, Colum Hourihane, Emma Maayan-Fanar, Herbert L. Kessler, Katrin Kogman-Appel, Shulamit Laderman, Mati Meyer, Bezalel Narkiss, Kurt Schubert, Sarit Shalev-Eyni, Margo Stroumsa-Uzan and Rina Talgam.
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Jaw-dropping selection of united kingdom horror video covers. among 1980 and 1984, British video businesses competed for shelf house with more and more outrageous conceal designs till a felony crackdown got rid of them from condo outlets perpetually. this significant publication, from a personal number of rarities, records these outlaw years of malevolent paintings with * two hundred of the best horror video covers from the British 'video nasty' period * full-page, full-color reproductions * banned or suppressed video covers * covers for Evil lifeless, final condo at the Left, Werewolves on Wheels, and Zombie Creeping Flesh This unabashed and uncensored assortment celebrates the common language of exploitation paintings in all its gory.
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Excerpt from The intuition of craftsmanship: And the nation of commercial ArtsThe following essay makes an attempt an research of such correlation as is noticeable among commercial use and wont and people different institutional evidence that visit make up any given part of civilisation. it truly is assumed that during the expansion of tradition, as in its present upkeep, the evidence of technological use and wont are primary and definitive, within the experience that they underlie and situation the scope and approach to civilisation in except the technological recognize, yet now not in this sort of experience as to avoid or put out of your mind the measure during which those different conventions of any given civilisation of their flip react at the country of the economic arts.
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Additional resources for Between Judaism and Christianity: Art Historical Essays in Honor of Elisheva (Elisabeth) Revel-Neher (The Medieval Mediterranean, Volume 81)
1990), La mosaïque de Sarrîn [Osrhoène] (Paris: 1990). ——. (1995), Mosaïques antiques du Proche-Orient: chronologie, iconographie, interprétation (Paris: 1995). , and Kondoleon, C. (2005), The Arts of Antioch: Art Historical and Scientific Approaches to Roman Mosaics and a Catalogue of the Worcester Art Museum Antioch Collection (Worcester, MA, and Princeton: 2005). Bonneau, D. (1971), “Les fêtes de la crue du Nil,” Revue d’Égyptologie 23 (1971), 49–65. Bowersock, G. W. D. ) and Her Husband Asbolius Patricius,” Journal of Roman Archaeology 17 (2004), 764–766.
1992), “Byzantine Mosaics at Sepphoris: New Finds,” Israel Museum Journal 10 (1992), 75–80. ——. (1994), Zippori (Jerusalem: 1994). ——. (1995), “New Evidence for Late-Roman and Byzantine Sepphoris,” in: The Roman and Byzantine Near East: Some Recent Archaeological Research, ed. J. H. Humphrey, Journal of Roman Archaeology Supp. 14 (Portsmouth, RI: 1995), 162–176. , and R. (1987), Hellenistic, Roman and Early Byzantine Mosaic Pavements in Israel (Rome: 1987). , and Di Segni, L. (1987), “New Greek Inscriptions from the Monastery of Theoctistus in the Judean Desert,” Eretz-Israel 19 (1987), 272–281 (Hebrew).
And Netzer, E. (1997), “The Hebrew University Excavations at Sepphoris,” Qadmoniot 113 (1997), 2–21 (Hebrew). ——, and Talgam, R. (2002), “The Nile Festival Building and Its Mosaics: Mythological Representations in Early Byzantine Sepphoris,” in: The Roman and Byzantine Near East, III, ed. J. H. Humphrey, Journal of Roman Archaeology Supp. 49 (Portsmouth, RI: 2002), 55–90. Weitzmann, K. (1960), “The Survival of Mythological Representations in Early Christian and Byzantine Art and their Impact on Christian Iconography,” Dumbarton Oaks Papers 14 (1960), 45–68.
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