By Anneke Smelik, Nina Lykke
Due to the fact international warfare II, the organic and technological were fusing and merging in new methods, leading to the lack of a transparent contrast among the 2. This entanglement of biology with expertise isn't new, however the pervasiveness of that integration is remarkable, as is the rate at which the 2 were merging in fresh many years. As this procedure permeates extra of way of life, the pressing necessity arises to reconsider either biology and expertise. certainly, the human physique can now not be appeared both as a bounded entity or as a clearly given and specific a part of an unquestioned whole."Bits of Life" assumes a post-human definition of the physique. it's grounded in questions about today's biocultures, which pertain neither to humanist physically integrity nor to the anthropological assumption that human our bodies are the single ones that subject. Editors Anneke Smelik and Nina Lykke relief in mapping adjustments and modifications and in extraordinary a center street among the metaphor and the fabric. In exploring present reconfigurations of our bodies and embodied matters, the participants pursue a technophilic, but severe, direction whereas articulating new and carefully appraised moral criteria. Anneke Smelik is professor of visible tradition on the Radboud collage of Nijmegen, The Netherlands. Nina Lykke is professor of gender stories, Linkoeping college, Sweden, and head of the Nordic study university in Interdisciplinary Gender experiences.
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Additional info for Bits of Life: Feminism at the Intersections of Media, Bioscience, and Technology
Aronowitz (1993: ch. 7) is even more sweeping in his claims for the ﬁeld of cultural studies, heralding 16 Roots and Routes ■ 17 it as the “new paradigm” for knowledge, which insists (in contrast to the natural sciences) on the contextuality of all knowledge claims. ” Hence even in a single collection (Aronowitz et al. 1996) there are very diªerent versions of “doing” cultural studies of science, from a rather modest “add literary techniques to social studies of science and stir” approach (Nelkin 1996) to a vision of an epistemological revolution (Menser and Aronowitz 1996).
1, it is still possible to map out some of its signiﬁcant features, on the basis of the fact that the label “cultural studies of technoscience” has proliferated. 1 and point out founding acts of deconstruction, relevant to an understanding of the ﬁeld’s key dynamics and its contributions to the emergence of feminist cultural studies of technoscience. One such act involves a focus on two-way links between technoscience, on the one hand, and literature, the visual arts, ﬁction, fantasy, and rhetoric, on the other.
Studies of visual culture 4. British cultural studies 5. Feminist science ﬁction studies The use of disciplinary and interdisciplinary labels as tracking devices seems appropriate and convenient, since it helps denaturalize the mythical assumption that all research in feminist studies, cultural studies, and technoscience studies is inherently interdisciplinary or transdisciplinary. I want to tease out trajectories toward interdisciplinarity and highlight methodological borrowings and adaptations that are sometimes obscured by this kind of naturalization.
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