By Ellis Cashmore
In this attention-grabbing and topical newbies advisor, Ellis Cashmore explores the interesting factor of megastar tradition: its origins, its which means and its international impact. overlaying such diversified views as repute habit, the ‘celebrification’ of politics and big name fatigue, Cashmore analyzes the connection megastar has with commodification and the shopper society, and investigates the recent media and the search for self-perfection.
Cashmore takes readers on a quest that visits the Hollywood movie of the early 20th century, the movie set of Cleopatra within the Nineteen Seventies, the dressing room of Madonna within the Nineteen Eighties, the burial of Diana within the Nineties, and the large Brother condo of the early 2000s. writer of Beckham and Tyson, Cashmore collects learn, thought, and case reports en course as he explores the fascinating factor of superstar tradition: its origins, its which means, and its international impact.
Including studies of latest literature, and an overview of key modern themes, this soaking up booklet skilfully explains why we've got develop into so captivated via the lives and loves of the fame and, in so doing, provides the clearest, such a lot accomplished, wide-ranging, and obtainable account of star tradition to date.
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Extra resources for Celebrity Culture (Key Ideas)
But it adapted quite efficiently, specializing in stories about the Hollywood set’s miscreant behavior. In the 1960s, stars were much more circumspect about their lives; so the stories had to be pursued with vigilance. The Taylor– Burton story was like a hardy annual, popping up at regular intervals over several years. Its power to move magazines off newsstands was undeniable, though the National Enquirer hit the equivalent of pay dirt when Sonny Bono and Cher LaPierre emerged as television show hosts, as well as the recording artists they had been in the 1960s.
No book published in the same year received as much publicity. Inside the sheet metal covers of Sex Madonna could be seen in poses that suggested lesbianism, anal sex, and sadomasochism. The book sold in a vacuum-sealed cover at $50. Its publication coincided with the release of Erotica, an album that complemented the book thematically. The accompanying video featured Madonna dressed androgynously. This was a star at or approaching the peak of her popularity, fabulously rich, with several hugely successful albums and a presence in movies, baring herself and playing out sexual fantasies to anyone who cared to look.
Perhaps we have changed to the point where we’ve “forsaken” (itself an revealingly quaint word) or given up on traditional leaders and shifted our allegiance instead to people who don’t actually do much, but appear everywhere. While Sherman doesn’t refer to them, the Watergate affair and the antiVietnam war movement increased cynicism about not only government, but the media too. When Sherman was writing in the early 1990s, there was less evidence about than there is today. His claim seems more solid now than then: we lack respect and hold in contempt many of our political leaders and regard men of the church as out of sync with contemporary values; we may be aware of the quests of mountaineers and pathbreaking scientists, but we’re unlikely to be able to name them, let alone know much more about them.
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