By David Pogue, Scott Speck
Haydn, Tchaikovsky, and Brahms, oh, my! The beginner's consultant to classical music
Classical song For Dummies is a pleasant, humorous, easy-to-understand consultant to composers, tools, orchestras, concert events, recordings, and extra. Classical song is greatly one in all the pinnacles of human fulfillment, and this informative consultant will exhibits you simply how attractive and worthwhile it may be. You'll learn the way Bach isn't like Beethoven, how Mozart is diverse nonetheless, and why no longer all "classical" song is really Classical if it's relatively Baroque or Romantic. You'll be brought to the composers and their paintings, and become aware of the groundbreaking items that shake the area each time they're performed. start construction your classical tune library with the fundamental recordings that outline orchestral, choral, and operatic good looks as you get conversant in the orchestras and musicians that carry the composers to life.
Whether you must play classical track or simply research extra approximately it, Classical song For Dummies will train you every thing you want to comprehend to get the main out of this more and more renowned style.
• Distinguish flute from piccolo, violin from viola, and trumpet from trombone
• research the variation among overtures, requiems, arias, and masses
• discover the composers that formed track as we all know it
• become aware of the recordings your track library can't be without
Classical tune has began sneaking into the mainstream — in the event that your curiosity has been piqued, there's by no means been a greater time to increase an appreciation for this exceptionally wealthy, complicated, and sundry physique of labor. Classical track For Dummies lays the foundation, and demonstrates simply how extraordinary classical tune may be.
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Additional info for Classical Music For Dummies (2nd Edition)
From the age of 23, Beethoven had wanted to set it to music. He finally found the right place to put it — right at the end of the Ninth Symphony — 20 years later. Up until that moment, every symphony ever written had been designed to be played by an orchestra alone. But in his Ninth Symphony, for the first time ever, Beethoven added four solo singers and a huge chorus to sing the words of Schiller’s poem. For music critics of the time, adding the singers was an act of treason. Debate raged in musical circles for decades.
It’s hard to imagine what would have happened to the world of music without the innovations of Guido of Arezzo. Luckily, we don’t have to. Guido existed; his musical staff still thrives; and, to this day, scholars everywhere have the pleasure of pronouncing the funniest name in the history of music (with the possible exception of Engelbert Humperdinck). Mass dismissed! But monks weren’t the only factors influencing the course of musical history. Their system of worship did, too — especially the Catholic mass.
Mendelssohn sought to continue the tradition of Bach and Handel in his own oratorios, such as Elijah and Hymn of Praise. But Mendelssohn’s symphonies are even more famous than his oratorios; the Fourth Symphony, called the Italian, is especially great. In it, Mendelssohn captures the breezy, festive atmosphere that he experienced on vacation in the Italian countryside. You can almost taste those little frozen fruit‐ice things that the vendors sell. The sounds of Mendelssohn Listen to these wonderful works of Felix Mendelssohn: ✓✓ Piano Concerto no.
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