By Roy Howat
This is often the 1st paperback version of Roy Howat's stimulating and provocative research of Debussy's unorthodox use of musical shape. Throught precise analyses of the piano items Reflets dans l'eau and L'isle joyeuse and the symphonic poem los angeles mer, Dr Howat exhibits how the items are outfitted accurately and intricately round the ratios of Golden part and bisection in order that the song is organised in numerous geometrical styles which give a contribution considerably to its expansive and dramatic effect. the ultimate bankruptcy strains proof of even if the proportional platforms have been designed consciously, and if this is the case, the place and why Debussy may have learnt such options. The facts comprises his involvement within the Symbolist circulate and in esotericism.
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Extra info for Debussy in Proportion: A Musical Analysis
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10 f. Was ist Musik? Eine interkulturelle Perspektive 23 Rudolf M. ), Von der Vielfalt musikalischer Kultur (Festschrift für Josef Kuckertz), Anif/Salzburg 1992, S. 43–79. Bruce Chatwin, Traumpfade, München 1990. Mihaly Czikszentmihalyi, Flow. Das Geheimnis des Glücks, Stuttgart 1992. Mihaly Czikszentmihalyi, Kreativität. Wie Sie das Unmögliche schaffen und Ihre Grenzen überwinden, Stuttgart 1997. , Wilhelmshaven 1985. Hans Peter Duerr, Traumzeit. Über die Grenze zwischen Wildnis und Zivilisation, Frankfurt a.
Galler Handschrift des 10. s zwar unter dem Titel »Notation« zu verbuchen, aber die Differenz zwischen den Phänomenen ist so beträchtlich, dass uns das Trennende in die Augen fällt, bevor wir das Verbindende ausmachen können. , S. 49–57. Eggebrecht, Musik im Abendland, S. 37. Die Textstelle ist ausgiebig analysiert in: Rotter-Broman, Komponieren in Italien um 1400. Studien zur Satztechnik in dreistimmigen Ballaten und Madrigalen, Kap. 5: »Geschichtsbild und Analyse«. Warum schreibt man über Musik?
